aml5076a - American Literature: Colonial to Contemporary
Dr. Lisa Logan

Samson Occom (1723-1792)

portrait of Samson Occom
Special Collections, University of Pennsylvania Library

Contributing Editor:
A. LaVonne Brown Ruoff

http://college.hmco.com/english/heath/syllabuild/iguide/occom.html

"A Short Narrative of My Life" (dated September 17, 1768) is one of the earliest life histories written by an American Indian. Shortly after he returned from England in the spring of 1768, Occom began his "Short, Plain, and Honest Account of my Self" in order to refute false reports that he was a Mohawk, that Wheelock received large sums for his support, and that he had been converted just before the English tour in order to become a special exhibit (Blodgett 27). An important topic both in his narrative and sermon, as well as in the selections from Apess and Copway, is religious conversion. Students, who generally cannot understand why Indians became devout Christian converts, need to know that for Indians and slaves, Christianity offered the possibility of being regarded by whites as equals under God. Indian authors, like slave narrators, frequently contrasted whites' professed Christianity with their mistreatment of minorities. Students also need to understand that until at least the late nineteenth century, most Indian education was conducted under the auspices of religious organizations. In the twentieth century, many reservation schools were still run by churches; even the Indian schools controlled by the government had a strong religious orientation.
Samson Occom was a member of the Mohegan tribe of Connecticut who received a missionary education prior to his ordination as a Congregational minister. His sermons, including his "Sermon at the Execution of Moses Paul" (1789), were reprinted frequently. Occom deployed a style of careful humility to mask his defense of the humanity of Native Americans.


Key Issues

Occom's status in the white Christian community
Many Native Americans embraced the Christian religion in the hopes of achieving some equal status at least under God. Indian authors, like slave narrators, frequently contrasted whites' professed Christianity with their mistreatment of minorities. Note Occom's style of subservience through humility while expressing outrage at the mistreatment of Indians.

The influence of Native American oral tradition
Samson Occom's autobiography represents the bicultural Native American dilemma in the eighteenth century; the voices that speak to us from the text reflect the dichotomy between two radically different cultures. The Euro-American voice speaks through literary convention and Christian references, creating a polite, well-mannered tone. The narrative's cadence, storytelling and detail define the Native American voice; it sends a persuasive message to its audience, using emotional imagery to create sympathy for the plight of Indians living in a white Christian world.

Occom's concept of self as expressed in his narrative
Occom identifies himself as a member of both a heathen and Christian community, and consistently speaks of himself in relation to the communities he lives in. His autobiography is a story depicting the life of an Indian struggling to work and live in a world dominated by a white Christian community.

White Christian - Literary style Native American - Oral Tradition
  • Christian references
  • Submissive tone
  • Builds sympathy before argument
  • Cadence
  • Storytelling
  • Emphasis on details
  • Structured & deliberate
  • Contrived
  • Complex
  • Specific yet free-flowing
  • Natural
  • Simple


Occom's Autobiography: Discussion Questions

If the influence of Occom's Native American heritage is less evident in his text, how is it manifested?

What distinguishes the storytelling, detail and cadence of oral tradition from literary convention?

How does the text combine these two distinctly different methods to create sympathy within its audience?


Related Links

Samson Occom (Mohegan) (1723-1792) - Bibliography, links "A Short Narrative of My Life" (dated September 17, 1768) is one of the earliest life histories written by an American Indian.
http://college.hmco.com/english/heath/syllabuild/iguide/occom.html

Samson Occom was a member of the Mohegan tribe of Connecticut who received a missionary education prior to his ordination as a Congregational minister.
http://www.library.upenn.edu/special/gallery/kislak/print/occom.html

"The Betrayal of Samson Occom" by Bernd Peyer
Dartmouth Alumni Magazine - Stories
http://www.dartmouth.edu/alumni/almag/occom.html


Related Works

America in 1492: The World of the Indian Peoples Before the Arrival of Columbus, ed. Alvin M. Josephy, Jr., New York: Alfred A Knoff, 1991.

Enduring Traditions, ed. Laurie Weinstein, Westport: Bergin & Garvey, 1994.

Hochbruck, Wolfgang. "Cultural Authenticity and the Construction of Pan-Indian Metanarrative". Cultural Difference & the Literary Text. Ed. Winfried Siemerling and Katrin Schwenk. Iowa City: University of Iowa Press, 1996. 18-28.

Hymes, Dell, In Vain I Tried to Tell You, Philadelphia: University of Pennsylvania Press, 1981.

Krupat, Arnold, New Voices in American Literary Criticism, Washington: Smithsonian Literary Press, 1993.

Krupat, Arnold. The Voice in the Margin. Berkeley: University of California Press, 1989.

Leuthold, Steven, Indigenous Aesthetics, Austin: University of Texas Press, 1998.

Occom, Samson. "A Short Narrative of My Life". The Norton Anthology of American Literature: Colonial to Contemporary,Vol. 1. Ed. Nina Baym. New York: W.W. Norton and Company, 1998. 614-619.

Wiget, Andrew. Native American Literature: Colonial to Contemporary. Boston: Twayne Publishers, 1985.

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